How to Write a Damn Good Thriller A Step by Step Guide for Novelists and Screenwriters A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design dr

  • Title: How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters
  • Author: James N. Frey
  • ISBN: 9780312575076
  • Page: 324
  • Format: Hardcover
  • A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers Frey uses examples from both books and movies and addresses the following hot topics Germinal ideas BreathingA quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers Frey uses examples from both books and movies and addresses the following hot topics Germinal ideas Breathing life into great thriller characters Crafting a gripping opening Maintaining tension Creating obstacles and conflicts Writing a mean, lean thriller scene Adding surprise twists Building a smashing climaxand many In his trademark approachable and humorous style, Frey illuminates the building blocks of great thrillers and gives the reader the tools to write his or her own.

    How to Write with Pictures wikiHow How to Write Better Instant Fixes Ways to Write a Letter wikiHow How to Write a Book Ridiculously Simple Steps Phase Getting started Decide what the book is about Good writing is always about something Set a daily word count goal John Grisham began his writing career as a lawyer Set a time to work on your book every day Consistency makes creativity easier Write in the same place How To Write an Essay thoughtco Sep , Once you ve written and refined your outline, it s time to write the essay Begin with the introductory paragraph This is your opportunity to hook the reader s interest in the very first sentence, which can be an interesting fact, a quotation, or a rhetorical question, for instance. How to Write a Book in A Step by Step Guide for New Do you want to learn how to write a book in In this easy guide for new writers and aspiring authors, I break book writing down step by step I also explain how you can write your book faster this year You ll also get a clever tool that speeds up writing a great book that you readers will love.

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      Published :2019-08-27T08:04:10+00:00

    About "James N. Frey"

    1. James N. Frey

      James N. Frey Is a well-known author, some of his books are a fascination for readers like in the How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters book, this is one of the most wanted James N. Frey author readers around the world.

    306 thoughts on “How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters”

    1. I have studied a lot about writing, read umpteen books on it, but never specifically to my genre. When James Frey's book How to Write a D*** Good Thriller (St. Martin's Press 2010) came out, I grabbed it. What's the first thing I learned? I have been making a lot of mistakes. The next thing I learned was how to fix them. Thankfully, he promised that doing this was 'not brain surgery'.In this book, Frey reviews first novel writing in general, then thriller in detail. The way thrillers are plotted [...]

    2. This was terrible, so far the worst book on writing that I've read. I have tons of notes but I'm too irritated right now to write a full review. Suffice to say that when he gave this example, I lost all respect for the book as a useful tool:He gave an example of his writing where in the middle, without any warning or any text separation or section change, he jumped heads from one POV to another. He pointed out how he did this and how useful it was. This is a BIG no-no and should never be used by [...]

    3. As a ravenous reader of thrillers I've always been drawn to the genre. But had no idea how or even whether to try crafting such a novel.James N. Frey provides comprehensive guidance on getting started. I'm a fan of his other works and this one is no exception. I was most impressed by the pragmatic advice and guidance in the pages. The differences between thriller and mystery are subtle yet tell-tale. Once that lightbulb went off over my head, it all fell into place.Great advice, excellent method [...]

    4. Wer schon immer wissen wollte wie ein großartiger Thriller funktioniert ist mit "Wie man einen verdammt guten Thriller schreibt" bestens beraten. Trotz des sperrigen Titels vermag dieses Übersichtswerk tatsächlich eine Idee davon zu vermitteln, wie man das Projekt eines spannungsgeladenen Romans am Besten angeht - und das ist schließlich nicht nur für potenzielle Schriftsteller interessant, sondern für jeden der sich dafür interessiert WARUM Bestseller des Genres eigentlich Bestseller sin [...]

    5. This is an eye-opening book for would-be thriller writers. Frey defines a thriller as the story of a clever hero on an impossible mission to foil evil. This isn't a perfect definition, but it's a damn good one. Once you have the definition down--and he gives about 500 examples to support his argument--you may identify some gaps in your own thriller projects and manuscripts.There are some weaknesses to the book. There are several examples of how different made-up thriller stories could be develop [...]

    6. I picked up this book because I've been kicking around the idea of writing in this genre. The information that actually dealt with how to develop an idea and plot a thriller was useful. Unfortunately, most of the book is taken up by endless examples of synopses of either books/movies in the genre or a series of made-up plots. I skimmed through all of them after the first few pages because they were very boring and tedious. Ultimately, I did find some nuggets of interesting information here, but [...]

    7. Another great inspiring read about writing fiction from James N. Frey, this book covers some of what his books How to Write a Damn Good Novel, both 1 and 2 and goes into depth about creating villians and the secrets of clever plotting. I never read one of Frey's books without learning something new and he doesn't beat around the bushes, but enlightens readers about story and character development. In this book I loved the flawed thriller hero and how to dream the fictive dream. I also appreciate [...]

    8. This is a good book for authors to add to their arsenal of writing tools.While there were some EXCELLENT sections in this book, there were also a LOT of pages of information that were not helpful to me at all. However, the significance of the great sections outweighed the disappointment of the weak sections, and so overall I'm still glad that I invested the time and money into this book.The excellent sections included:* How to create a villain* Exploiting the dark mission of the villain* The plo [...]

    9. I read this because I am working on my first thriller (my previous novels include two mysteries and one science-fantasy horror), and I found several of Frey's other books useful (THE KEY, HOW TO WRITE A DAMN GOOD MYSTERY, and HOW TO WRITE A DAMN GOOD NOVEL II). Like those guides, this one offers some useful strategies for thinking about your project along with some good reminders about the basics of the craft of fiction. However, I would rank this book a step or two below the other three mention [...]

    10. I have loved all of James Frey's writing books and recommend them to people. This one, though, which was a lot thicker and that seemed odd. The thickness was due to the monumental, page-after-page recounting of "how this thriller was written"; or how that thriller was written." And they were well known books, but I didn't buy this book to read synopsis, thriller or not, of so many books. The information I did find was invaluable and I grateful for it. However, all the info I needed was found in [...]

    11. The only thing I normally don't like about Frey's excellent books is that he comes up with imaginary "novels" he uses as examples to illustrate his points. But in this particular book, even they didn't distract me from enjoying his teachings. In this book, Frey is at his best, showing the priority of emotional connection for successful reading experience. I personally find Frey's books extremely helpful, together with those by Donald Maass, McKey's Story and the writing manual to end all writing [...]

    12. Picked this up on a whim and it became my fall asleep book for many months. I think I really wanted to know what made people like to read thrillers.Mr. Frey's advice isn't anything you won't find anywhere else, but at least he has the common decency to not tell people to cut description ala Elmore Leonard or James Patterson.The cannon of novels and screenplays he draws examples from were refreshingly diverse, all minor classics in there own right, and some even from the 19th century. That being [...]

    13. Another solid offering from writing-coach extraordinaire James N. Frey. (Not to be confused with the other James Frey, of Oprah fame.) Some of Frey's titles, if you read more than one, start to overlap a bit, but for me that's just a minor criticism, since the advice is usually sound. And his own writing is conversational and direct, which makes them easy to read. This particular title isn't my favorite, but I'm sure it'll be right there beside me when I start working on my next blockbuster.

    14. Presenting the map for thriller novel writing is given in examples of sequence. The main ingredient of a thriller is pulse-pounding suspense. The quality of fiction that makes the reader want to turn the pages to see what's going to happen next, is suspense. In a thriller the hero has a mission to foil evil. With types of thriller examples given, this book is informative for rise and falling tension placement. References and many examples are given to build story structure. This book is inspirin [...]

    15. Soom good advice obfuscated by unhelpful biased personal opinion and page after page of useless examples which failed to express the values the author expoused or demonstrate the lessons he was trying to teach. Also a large amount of material rehashed (or straight up cut and pasted) from his earlier books. This was better than his book on mysteries, possibly because he used more film examples which meant the book wasnt unnecessarily padded with his own prose.

    16. I haven't read his previous books for writers, so I wasn't bothered by redundancy as other reviewers have mentioned. I found his thriller guide to be a great review of things I knew, a source of ploting and pacing devices that weren't so familiar, and a very clear delineation of the thriller genre, complete with many examples. A recommended tool for writers new to the genre or needing to improve their skills.

    17. Frey writes well, and I liked the story he wrote as an example. Overall it was ok, but the way he bashed the traditional 3 act structure left a sour taste in my mouth. I think he should've left all that out, since it was evident he had no glue what he was talking about. Otherwise his book was pretty solid.

    18. This book is very good at providing step by step instructions and examples on the more abstract concepts for writing not only thrillers, but all novels. The examples from well known books and movies can be a bit daunting to get through, but the examples created within the book from idea to detailed, completed outlines are well worth the read.

    19. I liked the structure discussions in this book, and the stuff on crafting an outline, but the examples were nonsense and the things he was pointing out with them didn't seem to be there on some occasions. I got the feeling he cranked this and his other writing books out pretty fast. Still pretty useful to a newbie. I'm just not one.

    20. Solid, and a good addition to his other works. While it's always helpful to see theory in action in developing a story, it did seem like there was a little too much focus on the example story.Still, good advice, and it inspired me to get back to my thriller in progress, even if I still don't quite know how to fix it.

    21. Solid book with solid advice, but I find his personal thriller examples anything but thrilling.I also wished it was more in-depth, since creating thrill is all about knowing human psychology and applying it. It's an ok read if you have access to it, but it's no 'must' read. You can find better work.

    22. Of course this it the third book of Frey's that I have read in a row. I still find his voice amusing and sagely. He gets you through the important yet boring how to's of writing without actually being boring. For anyone wanting a little advice on writing a thriller or even a novel with thriller elements in it: I recommend this book.

    23. Good solid craft book. Fun to read, easy to understand. A bit too step-by-step for my preferred method of writing, but I learned some solid pieces of wisdom and I'll keep this one handy on my shelf for future reference.

    24. This book lays out a pretty good plan for writing a thriller. Though the plot developed and used as a template could be more helpful, the general principles are sound and should aid people in their attempt to write good thrillers.

    25. Great book. Offers excellent tips to writers and especially for those who want to write action thriller books or screenplays. After reading this one, I plan to go back and buy a few more of his writing books.

    26. While it's a build upon his previous work, "How to write a damn good novel", it includes additional food for thought regarding the thriller genre. If you're an author, wanna-be or future author interested in writing this genre, this is a must have.

    27. This book got me thinking more analytically about the thriller, as a writer and as a reader. I've made copious notes, and am confident that my product will be better as a result.

    28. See my review of this book in the April issue of Sacramento Book Review and San Francisco Book Review! sacramentobookreview

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